Archive for July, 2011

Basic Instinct

Saturday, July 30th, 2011

Director Andrew Sterling stopped by Adam’s unofficial Facebook page a while back to let us know that “Fans of Adam might want to check out this short I made with him a while ago. He’s a damn fine thespian.” The last bit we certainly knew.

Instinct Theory: A man has a new theory (to him at least) and tries to apply it to a developing relationship. But does he have the will to see it through or is human nature something that can never be overcome or understood? Also starring LeeAnne Hutchison.

Adam’s on Fire

Thursday, July 28th, 2011

For all the Adam fans who didn’t make it out to Los Angeles for his run in Burn This, just a little taste of what we missed. There’s also a nice little Opening Night video featuring Adam talking about the play in the Multimedia section of the official site. (h/t Broadway World for the top video.)

Photo Call for Burn This

Wednesday, July 27th, 2011
BT Rehearsal (Cast and Director Nicholas Martin)
Ken Barnett, Brooks Ashmanskas, Director Nicholas Martin, Zabryna Guevara and Adam Rothenberg in rehearsal.

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Press Roundup for Burn This

Tuesday, July 26th, 2011
Burn This (Adam Rothenberg qua Pale)

Adam’s star turn in Burn This corralled a lot of critical notice. LA Weekly said that “Adam Rothenberg’s Pale is the hot, pounding heart of this production.” Los Angeles Broadway World thought that Adam was “astounding in a fearless portrayal of an intensely hurting individual.” Variety thought that “The talented Rothenberg, who blessedly lacks Malkovich’s distracting androgynous quality, offers a Pale who is believable, tough, utterly masculine …” And the Los Angeles Times noted that “Rothenberg, who looks a little like Willem Dafoe’s younger brother, has charisma and the right urban grace.”

In addition to all the raves, we got a new profile of Adam courtesy LA Stage Times’ Connie Danese:

Adam Rothenberg, playing the role created by John Malkovich, is a thoughtful and charismatic actor who explodes onto the stage in his first entrance like a modern-day Stanley Kowalski. How does he get to that peak so quickly? “Uhh,” he grins sheepishly, “Jump rope.” He pauses to add, “And a little Tai Chi. Then, well, you just throw yourself into the language and get your heart rate up.”

When asked about his training, Rothenberg is both charming and generous. “I have a wonderful teacher I would love to mention by the name of Alan Savage. I never went to acting school. I learned in the trenches working in black box theaters in New York. But this teacher has helped me a great deal. He stresses working with the text, understanding why you’ re saying something based on what the other person just said. I don’t know how to explain it. A lot of actors feel they need to be doing so many things, when at the end of the day if the writer has done his work you just show up, trust you’re enough and throw yourself into it.”

In the second act Rothenberg’s character shows a surprising sensitivity. “To me that section was just about dropping the rage and going with the language, which is so brilliant and beautiful. I felt the more I thought about what I was saying, the sensitivity just took care of itself.”

Krogstadt in the House

Monday, July 25th, 2011
Adam Rothenberg qua Krogstadt (A Doll's House)

The Berkshire Eagle‘s Jeffrey Borak had some very nice comments about our Adam in his latest production, A Doll’s House at the Williamstown Theatre Festival. Calling Adam “brilliant in projecting a whole range of feelings and fleeting personae in his role of the despised Krogstadt,” Borak described his portrayal as “played with impressive imagination and color.” He further notes, “(Rothenberg) managed to combine the feeling of entitlement of a disgraced person who has paid his debt to society … and a sleazy outsider who has to resort to schemes—basically blackmail—to achieve his goals. his performance was a perfectly disheveled tour de force.”

A Doll’s House is playing through July 31st.

UPDATE (July 26, 2011):
Don Aucoin at The Boston Globe noted that “Rothenberg brings an angry edge to Krogstad’s bitterness; his scenes with Rabe are among the play’s most riveting” and The New York Times‘ Christopher Isherwood raves that Adam “gives an effective, darkly colored performance as a shaggy-haired, dour Nils, willing to poison Nora and Torvald’s marriage even if it means his own destruction.”

Above: Adam as Krogstadt; photo by T. Charles Erickson.