Archive for the 'A Doll’s House' Category

Krogstadt in the House

Monday, July 25th, 2011
Adam Rothenberg qua Krogstadt (A Doll's House)

The Berkshire Eagle‘s Jeffrey Borak had some very nice comments about our Adam in his latest production, A Doll’s House at the Williamstown Theatre Festival. Calling Adam “brilliant in projecting a whole range of feelings and fleeting personae in his role of the despised Krogstadt,” Borak described his portrayal as “played with impressive imagination and color.” He further notes, “(Rothenberg) managed to combine the feeling of entitlement of a disgraced person who has paid his debt to society … and a sleazy outsider who has to resort to schemes—basically blackmail—to achieve his goals. his performance was a perfectly disheveled tour de force.”

A Doll’s House is playing through July 31st.

UPDATE (July 26, 2011):
Don Aucoin at The Boston Globe noted that “Rothenberg brings an angry edge to Krogstad’s bitterness; his scenes with Rabe are among the play’s most riveting” and The New York Times‘ Christopher Isherwood raves that Adam “gives an effective, darkly colored performance as a shaggy-haired, dour Nils, willing to poison Nora and Torvald’s marriage even if it means his own destruction.”

Above: Adam as Krogstadt; photo by T. Charles Erickson.

If It’s Summer, It Must Be Williamstown

Monday, June 27th, 2011

Williamstown Theatre Festival (Doll's House Artwork)

Adam is appearing again at the Massachusetts-based summer festival, this time as Krogstad in the Henrik Ibsen classic, A Doll’s House. Tickets are on sale now.

July 20-31
A Doll’s House

Written by Henrik Ibsen
Translated by Paul Walsh
Directed by Sam Gold
With Adam Rothenberg, Josh Hamilton, Zainab Jah, Matthew Maher, Chris Messina, Lily Rabe, Lili Taylor

Nora Helmer has everything an affluent housewife could want: beautiful children, an adoring husband, a bright future. When a carelessly buried secret rises to the surface, her well-calibrated, though artificial, domestic ideal begins to crumble. Terrified by this new reality, Nora must choose between outward perfection and inner truth. Still bracingly relevant, Ibsen’s masterpiece, in a striking contemporary translation, offers no safer conclusions today than when it stormed stages of 19th-century Europe.

We’ve got a big backlog of Adam photos, videos and press to wade through, so July should be a big Adam month for everybody. Stay tuned.