We realize it’s been too long for an update, so we took a tiptoe through the internets and found this review of one of Adam Rothenberg’s projects from the Fall of 2001. Wish we’d been there. (Photo: Hikenutty)
The first one we could find, anyway, from the OMH website, describes the play as “terrifically acted,” noting that “Rothenberg, an up-and-coming Hollywood actor, convinces as the pushy salesman with an agenda.” We will continue the hunt for more info.
Update:
We found snippets of a few more reviews at The Assembly Rooms 2006.
The actors put in a stunning performance with enthralls the audience. You continue to try and second-guess the writer all the way through this production, and find yourself getting into the characters’ shoes and feeling every up and every down they experience - you also keep wishing you could press fast forward to skip to the end just to satisfy your curiosity. So, couple inspired acting with a twist no one could guess, and you cannot fail to enjoy this clever and entertaining production.
**** Three Weeks, 17th August 2006
Three tightly disciplined performances as a would-be property developer, his siren-like banker (Mindy Crist, recognisable from top-end US television shows such as Six Feet Under and 24 and the mysterious third man who, in a top-class performance from Adam Rothenberg, is never quite what he seems… A terse and effective account of how their lives are emotionally hollowed out from the inside, unable to connect on any human level… Glengarry Glen Ross with added sex and violence - top-class.
*** The Times, 15th August 2006
This European premiere is played with flair and conviction - with a very powerful performance by Josh Stamberg as the menacing Ferguson. It’s a compelling piece, confidently directed… by Amy Glazer, and you can’t fault it’s seriousness of intent.
*** The Scotsman, 12th August 2006
Our Adam has surfaced again in Scotland, rather like the Loch Ness Monster he so dearly loved as a child.
He recently joined the cast of Finder’s Fee, opening in the 2006 EDINBURGH FESTIVAL FRINGE.
Here’s a clipping with the juicy details:
Finder’s Fee, the New York thriller set to open at Assembly at the beginning of the festival, has postponed its premiere by two days to accommodate a mid-rehearsals team change, it was announced 25 July.
The original director, Olivier-Award winner Wilson Milam, has stepped down from the production due to unforeseen commitments to his TONY award nominated production of Martin McDonagh’s The Lieutenant of Inishmore, which continues to run on Broadway. Milam, who has directed two workshop readings of Finder’s Fee already, has been replaced by Amy Glazer, the Associate Director at San Francisco’s Magic Theatre.
The play, making its European debut after productions in New York and Los Angeles, will now open on Monday 7th August. Ticket holders for the two cancelled preview performances will be able to transfer to any performance before 13th August at the same price and discount they booked initially. The Assembly Box Office can be contacted on 0121 226 2428.
Three rising American actors making their Edinburgh Festival debuts have also been announced in the cast: Adam Rothenberg - whose recent New York theatre credits include plays with MCC, Second Stage and New York Stage and Film - has just finished filming opposite Frasier’s Jane Leeves in the new WB sitcom Misconceptions; Josh Stamberg, whose feature films include soon-to-be-released Fracture with Anthony Hopkins and Drifting Elegant (the latter also directed by Amy Glazer); and the television regular Mindy Crist, whose recent appearances include ER, NYPD Blue, House, Six Feet Under and 24.
Amy Glazer has directed world, American and west-coast US premieres at Magic Theatre including Rebecca Gilman’s The Sweetest Swing in Baseball, Blue Surge and The American in Me, Steven Belber’s Drifting Elegant and Tape, and Barry Gifford’s Wyoming. She is the recipient of Dean Goodman, Drama-logue, and Bay Area Theatre Critics Circle Awards and is currently a theatre and film professor at San Jose State University.
Assembly producer Louise Chantal said: “We’re very sorry to lose Wilson, who has contributed hugely to the script’s development over the last two years. However, Amy Glazer is a superb director and has been able to step into the breach immediately. Rehearsals continue in San Francisco and Finder’s Fee will be adding a little Californian glamour to the Festival in August.”
Finders Fee is appearing in The Supper Room, The Assembly Rooms, George Street 7th-28th August at 2pm.
We here at the Apple congratulate Adam Rothenberg for his recent turn in the world premiere of Keith Huff’s A Steady Rain. Between July 11th and the 23rd, Adam and co-star Josh Stamberg graced the Mainstage of Vassar College’s New York Stage and Film Festival under the direction of Trip Cullman. Described as “an urban tale of love and rage,” the play was inspired by events surrounding the crimes of Jeffrey Dahmer and chronicles “two Chicago cops, friends since childhood, and their competing accounts of the few harrowing days that changed their lives forever.”
A 2005 Perform Ink review of the script stated that:
The latest work by Chicago playwright Keith Huff is gripping. Along the way, the play asks questions about love and loyalty, family and friendship, power and control, what it means to be a cop, what it means to be a father. The characters are riveting from the moment they step out on the bare stage until the inevitable, tragic end.
We’re kicking ourselves for missing it.
Adam recently appeared off-Broadway in Glen Berger’s new play at the Lucille Lortel Theater here in New York. Critics found him “nicely sardonic” and an “engaging storyteller.” We here at Adam’s Apple offer a couple of production stills for those fans unable to attend. Enjoy.
Top: With Ana Reeder; Bottom: With Jaymie Dornan; Both from the MCC Theater production (Photos: Carol Rosegg).
For all you Massachussetts-area Adam’s Apple readers, our own Mr. Rothenberg will be appearing in Lady Windemere’s Fan at the prestigious theater festival. Check it out. Those of us unable to attend will envy you.
With Isabel Keating in Lady Windermere’s Fan (Photo: Richard Feldman).
Update: From the July 12th New York Times:
And as the professionally naughty Lord Darlington, Adam Rothenberg finds an erotic restlessness behind the foppishness. Like Ms. Keating, the hunky Mr. Rothenberg, who played Stanley Kowalski at the Kennedy Center last year, turns being cast against type into a character-deepening advantage.
Update 2: From the July 11, 2005 review at TheaterMania:
No, the one to lap up, as he tries to sweet talk young Lady Windermere out of her stays by arguing a case of tit-for-tat, is Lord Darlington (Adam Rothenberg, whose lupine insouciance recalls Laurence Harvey).
With Ted Schneider in Birdy.
In the absence of new Adam Rothenberg news, we here at the Apple thought we’d take a look back at one of projects from 2003, the Women’s Project production of Birdy. Adapted by Naomi Wallace from the novel by William Wharton, Birdy “tells the story of a man undone by the horrors of World War II and the friend who tries to guide him back to earth.”
Adam earned “especial praise … in the most demanding role of the adult Al” from New York Magazine. Curtain Up noted that “Adam Rothenberg stands out as the older Al,” who is “called to the mental hospital where the resident psychiatrist, Doctor White (Richard Bekins), has been unable to break through the catatonic, non-eating state into which Al’s friend Birdy (Ted Schneider) has retreated.”
The Drama League has nominated Adam for a Distinguished Performance Award for his work in Danny and the Deep Blue Sea. We here at the Apple are brimming with pride.
With Rosemarie DeWitt in the 2econd Stage Theatre production (Photo: Joan Marcus).
A KICKBOX PAS DE DEUX!
It may well turn Adam Rothenberg into a matinee idol for women with blue-collar fantasies! Very touching and warmly acted.
BEN BRANTLEY / THE NEW YORK TIMES
In a role originated by John Turturro 20 years ago, Rothenberg is equally persuasive in Danny’s gradual lowering of his guard and in the brooding character’s tough posturing, his edgy physicality and moments of pierced exposure. After playing Stanley earlier this year opposite Patricia Clarkson in the Kennedy Center’s “A Streetcar Named Desire,” this accomplished actor seems ripe for wider discovery.
DAVID ROONEY / VARIETY
RIVETING! Few of Shanley’s plays hold the passion of this poignant romance. Adam Rothenberg and Rosemarie DeWitt inhabit their roles with in-your-face intensity!
Shanley’s breakthrough play is precisely choreographed by director Leigh Silverman in this touching revival. Rosemarie DeWitt and Adam Rothenberg expose the hearts of their characters with bristling vitality!!
MICHAEL SOMMERS / THE STAR-LEDGER
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